Late Spring (Criterion Collection) (1949) On Blu-Ray

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Rififi (Criterion Collection) (1956) On Blu-Ray

David Lean Directs Noel Coward (Criterion Collection) On Blu-Ray

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Actor :     Noel Coward, Bernard Miles, Robert Newton, Celia Johnson, John Mills
Director: Noel Coward, David Lean
Genre:     Drama
Year:        1945
Studio:     Criterion Collection
Length:     407
Released: March 27, 2012
Rating:      Not Rated (MPAA Rating)
Format:     Blu-ray Hi-Def DVD
Misc:          NTSC, Color
Language: English
subtitles:   English


DESCRIPTION:

 In the 1940s, the wit of playwright Noel Coward (Design for Living) and the craft of filmmaker David Lean (Lawrence of Arabia) melded harmoniously in one of cinema’s greatest writer-director collaborations. With the wartime military drama sensation In Which We Serve, Coward and Lean (along with producing partners Ronald Neame and Anthony Havelock-Allan) embarked on a series of literate, socially engaged, and enormously entertaining pictures that ranged from domestic epic (This Happy Breed) to whimsical comedy (Blithe Spirit) to poignant romance (Brief Encounter). These films created a lasting testament to Coward’s artistic legacy and introduced Lean’s visionary talents to the world.

In Which We Serve In the midst of World War II, the renowned playwright Noel Coward engaged a young film editor named David Lean to help him realize his vision for an action drama about a group of Royal Navy sailors (roles that would be filled by Coward himself, Great Expectations’ Bernard Miles, and Ryan’s Daughter’s John Mills, among others) fighting the Germans in the Mediterranean. Coward and Lean ended up codirecting the large-scale project—an impressive undertaking, especially considering that neither of them had directed for the big screen before (this would be Coward’s only such credit). Cutting between a major naval battle and flashbacks to the men’s lives before they left home, In Which We Serve (an Oscar nominee for best picture) was a major breakthrough for both filmmakers and a sensitive and stirring piece of propaganda.

1942

114 minutes

Black & white

Monaural

1.37:1 aspect ratio

This Happy Breed David Lean brings to vivid emotional life Noel Coward’s epic chronicle of a working-class family in the London suburbs over the course of two decades. Robert Newton (Oliver Twist) and Celia Johnson (Brief Encounter) are surpassingly affecting as Frank and Ethel Gibbons, a couple with three children whose modest household is touched by joy and tragedy from the tail end of the First World War to the beginning of the Second. With its mix of politics and melodrama, This Happy Breed is a quintessential British domestic drama, featuring subtly expressive Technicolor cinematography by Ronald Neame and a remarkable supporting cast including John Mills, Stanley Holloway (My Fair Lady), and Kay Walsh (The Horse’s Mouth)

1944

111 minutes

Color

Monaural

1.37:1 aspect ratio

Blithe Spirit Blithe Spirit, David Lean’s delightful film version of Noel Coward’s theater sensation (onstage, it broke London box-office records before hitting Broadway), stars Rex Harrison (Unfaithfully Yours) as a novelist who cheekily invites a medium (The Importance of Being Earnest’s Margaret Rutherford) to his house to conduct a séance, hoping the experience will inspire a book he’s working on. Things go decidedly not as planned when she summons the spirit of his dead first wife (Kay Hammond), a severe inconvenience for his current one (Constance Cummings). Employing Oscar-winning special effects to spruce up Coward’s theatrical farce, Blithe Spirit is a sprightly supernatural comedy with winning performances.

1945

96 minutes

Color

Monaural

1.37:1 aspect ratio

Brief Encounter After a chance meeting on a train platform, a married doctor (The Third Man’s Trevor Howard) and a suburban housewife (This Happy Breed’s Celia Johnson) enter into a muted but passionate, ultimately doomed, love affair. With its evocatively fog-enshrouded setting, swooning Rachmaninoff score, and pair of remarkable performances (Johnson was nominated for an Oscar for her role), David Lean’s film of Noel Coward’s play Still Life deftly explores the thrill, pain, and tenderness of an illicit romance, and has influenced many a cinematic brief encounter since its release.

1945

86 minutes

Black & white

Monaural

1.37:1 aspect ratio

 


 


Special Features:

New high-definition digital transfers of the BFI National Archive’s 2008 restorations

Audio commentary on Brief Encounter by film historian Bruce Eder

New interviews with Noel Coward scholar Barry Day on all of the films

Interview with cinematographer-screenwriter-producer Ronald Neame from 2010

Short documentaries from 2000 on the making of In Which We Serve and Brief Encounter

David Lean: A Self Portrait, a 1971 television documentary on Lean’s career

Episode of the British television series The Southbank Show from 1992 on the life and career of Coward

Audio recording of a 1969 conversation between Richard Attenborough and Coward at London’s National Film Theatre

Trailers

PLUS: A booklet featuring essays by Ian Christie, Terrence Rafferty, Farran Nehne, Geoffrey O’Brien, and Kevin Brownlow

Actor :     Noel Coward, Bernard Miles, Robert Newton, Celia Johnson, John Mills
Director: Noel Coward, David Lean
Genre:     Drama
Year:        1945
Studio:     Criterion Collection
Length:     407
Released: March 27, 2012
Rating:      Not Rated (MPAA Rating)
Format:     Blu-ray Hi-Def DVD
Misc:          NTSC, Color
Language: English
subtitles:   English


DESCRIPTION:

 In the 1940s, the wit of playwright Noel Coward (Design for Living) and the craft of filmmaker David Lean (Lawrence of Arabia) melded harmoniously in one of cinema’s greatest writer-director collaborations. With the wartime military drama sensation In Which We Serve, Coward and Lean (along with producing partners Ronald Neame and Anthony Havelock-Allan) embarked on a series of literate, socially engaged, and enormously entertaining pictures that ranged from domestic epic (This Happy Breed) to whimsical comedy (Blithe Spirit) to poignant romance (Brief Encounter). These films created a lasting testament to Coward’s artistic legacy and introduced Lean’s visionary talents to the world.

In Which We Serve In the midst of World War II, the renowned playwright Noel Coward engaged a young film editor named David Lean to help him realize his vision for an action drama about a group of Royal Navy sailors (roles that would be filled by Coward himself, Great Expectations’ Bernard Miles, and Ryan’s Daughter’s John Mills, among others) fighting the Germans in the Mediterranean. Coward and Lean ended up codirecting the large-scale project—an impressive undertaking, especially considering that neither of them had directed for the big screen before (this would be Coward’s only such credit). Cutting between a major naval battle and flashbacks to the men’s lives before they left home, In Which We Serve (an Oscar nominee for best picture) was a major breakthrough for both filmmakers and a sensitive and stirring piece of propaganda.

1942

114 minutes

Black & white

Monaural

1.37:1 aspect ratio

This Happy Breed David Lean brings to vivid emotional life Noel Coward’s epic chronicle of a working-class family in the London suburbs over the course of two decades. Robert Newton (Oliver Twist) and Celia Johnson (Brief Encounter) are surpassingly affecting as Frank and Ethel Gibbons, a couple with three children whose modest household is touched by joy and tragedy from the tail end of the First World War to the beginning of the Second. With its mix of politics and melodrama, This Happy Breed is a quintessential British domestic drama, featuring subtly expressive Technicolor cinematography by Ronald Neame and a remarkable supporting cast including John Mills, Stanley Holloway (My Fair Lady), and Kay Walsh (The Horse’s Mouth)

1944

111 minutes

Color

Monaural

1.37:1 aspect ratio

Blithe Spirit Blithe Spirit, David Lean’s delightful film version of Noel Coward’s theater sensation (onstage, it broke London box-office records before hitting Broadway), stars Rex Harrison (Unfaithfully Yours) as a novelist who cheekily invites a medium (The Importance of Being Earnest’s Margaret Rutherford) to his house to conduct a séance, hoping the experience will inspire a book he’s working on. Things go decidedly not as planned when she summons the spirit of his dead first wife (Kay Hammond), a severe inconvenience for his current one (Constance Cummings). Employing Oscar-winning special effects to spruce up Coward’s theatrical farce, Blithe Spirit is a sprightly supernatural comedy with winning performances.

1945

96 minutes

Color

Monaural

1.37:1 aspect ratio

Brief Encounter After a chance meeting on a train platform, a married doctor (The Third Man’s Trevor Howard) and a suburban housewife (This Happy Breed’s Celia Johnson) enter into a muted but passionate, ultimately doomed, love affair. With its evocatively fog-enshrouded setting, swooning Rachmaninoff score, and pair of remarkable performances (Johnson was nominated for an Oscar for her role), David Lean’s film of Noel Coward’s play Still Life deftly explores the thrill, pain, and tenderness of an illicit romance, and has influenced many a cinematic brief encounter since its release.

1945

86 minutes

Black & white

Monaural

1.37:1 aspect ratio

 


 


Special Features:

New high-definition digital transfers of the BFI National Archive’s 2008 restorations

Audio commentary on Brief Encounter by film historian Bruce Eder

New interviews with Noel Coward scholar Barry Day on all of the films

Interview with cinematographer-screenwriter-producer Ronald Neame from 2010

Short documentaries from 2000 on the making of In Which We Serve and Brief Encounter

David Lean: A Self Portrait, a 1971 television documentary on Lean’s career

Episode of the British television series The Southbank Show from 1992 on the life and career of Coward

Audio recording of a 1969 conversation between Richard Attenborough and Coward at London’s National Film Theatre

Trailers

PLUS: A booklet featuring essays by Ian Christie, Terrence Rafferty, Farran Nehne, Geoffrey O’Brien, and Kevin Brownlow

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